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Everyone in the family had decided that changing the trust arrangement seemed the perfect way to avoid three million in taxes. However, when dreary cousin Deirdre has a mysterious accident after demanding a fee for her signature, the young London barristers handling the trust seek advice from mentor Hilary Tamar. Julia believes it's murder; whilst Hilary wonders why the raven-haired heir did not die. But with more deadly accidents occurring, it is Hilary who is given the perilous quest of unmasking the killer.
When Julia Larwood's Aunt Regina's experiment with equity investments lands her in tax trouble and one of her friends turns up dead, Oxford professor and amateur sleuth Hilary Tamar sets out to unravel the mystery. By the author of The Shortest Way to Hades. Reprint.
When her personal copy of the current Finance Act is found a few metres away from a body, young barrister Julia Larwood finds herself caught up in a complex fight against the Inland Revenue. Set to have a vacation away from her home life and the tax man, Julia takes a trip with her art-loving boyfriend. However, all is not what it seems. Could he in fact be an employee of the establishment she has been trying to escape from? And how did her romantic luxurious holiday end in murder?
Writers of fiction have always confronted topics of crime and punishment. This age-old fascination with crime on the part of both authors and readers is not surprising, given that criminal justice touches on so many political and psychological themes essential to literature, and comes equippedwith a trial process that contains its own dramatic structure. This volume explores this profound and enduring literary engagement with crime, investigation, and criminal justice. The collected essays explore three themes that connect the world of law with that of fiction. First, defining and punishing crime is one of the fundamental purposes of government,along with the protection of victims by the prevention of crime. And yet criminal punishment remains one of the most abused and terrifying forms of political power. Second, crime is intensely psychological and therefore an important subject by which a writer can develop and explore character. Athird connection between criminal justice and fiction involves the inherently dramatic nature of the legal system itself, particularly the trial. Moreover, the ongoing public conversation about crime and punishment suggests that the time is ripe for collaboration between law and literature in thistroubled domain.The essays in this collection span a wide array of genres, including tragic drama, science fiction, lyric poetry, autobiography, and mystery novels. The works discussed include works as old as fifth-century BCE Greek tragedy and as recent as contemporary novels, memoirs, and mystery novels. Thecumulative result is arresting: there are "killer wives" and crimes against trees; a government bureaucrat who sends political adversaries to their death for treason before falling to the same fate himself; a convicted murderer who doesn't die when hanged; a psychopathogical collector whose quitesane kidnapping victim nevertheless also collects; Justice Thomas' reading and misreading of Bigger Thomas; a man who forgives his son's murderer and one who cannot forgive his wife's non-existent adultery; fictional detectives who draw on historical analysis to solve murders. These essays begin aconversation, and they illustrate the great depth and power of crime in literature.
Whilst on a trip to the sunny Channel Islands to find the heir to a lucrative tax law case, young barrister Michael Cantrip finds himself in over his head. Peculiar things begin to occur on the mysterious and isolated islands with something - or somebody -- bumping off members of his legal team. With the help of his mentor, amateur investigator Hilary Tamar, Cantrip, must find a safe passage back to the Lincoln's Inn Chambers.
“Absolutely riveting . . . A masterpiece. I defy anyone to foresee the outcome.”—Ruth Rendell The year is 1921. A passionate affair between voracious romance reader Alma Webster and her dentist, Walter Baranov, has led to his wife’s murder. The lovers take flight aboard the Mauretania and the dentist takes the name of Inspector Dew, the detective who arrested the notorious wifekiller Dr. Crippen. But, in a disquieting twist, a murder occurs aboard ship and the captain invites “Inspector Dew” to investigate.
Speakers of British and American English display some striking differences in their use of grammar. In this detailed survey, John Algeo considers questions such as: •Who lives on a street, and who lives in a street? •Who takes a bath, and who has a bath? •Who says Neither do I, and who says Nor do I? •After 'thank you', who says Not at all and who says You're welcome? •Whose team are on the ball, and whose team isn't? Containing extensive quotations from real-life English on both sides of the Atlantic, collected over the past twenty years, this is a clear and highly organized guide to the differences - and the similarities - between the grammar of British and American speakers. Written for those with no prior knowledge of linguistics, it shows how these grammatical differences are linked mainly to particular words, and provides an accessible account of contemporary English in use.
Significantly expanded and updated, the second editionof The Handbook of Language, Gender and Sexualitybrings together a team of the leading specialists in the field tocreate a comprehensive overview of key historical themes andissues, along with methodologies and cutting-edge researchtopics. Examines the dynamic ways that women and men develop and managegendered identities through their talk, presenting data and casestudies from interactions in a range of social contexts anddifferent communities Substantially updated for the second edition, including a newintroduction, 24 newly-commissioned chapters, ten updated chapters,and a comprehensive index Includes new chapters on research in non-English speakingcountries – from Asia to South America – andcutting-edge topics such as language, gender, and popular culture;language and sexual identities; and language, gender, andsocio-phonetics New sections focus on key themes and issues in the field, suchas methodological approaches to language and gender, incorporatingnew chapters on conversation analysis, critical discourse analysis,corpus linguistics, and variation theory Provides unrivalled geographic coverage and an essentialresource for a wide range of disciplines, from linguistics,psychology, sociology, and anthropology to communication and genderstudies
The twelve studies of empire-building and empire-builders which make up this volume range widely across the dream world that was the British Empire from the late eighteenth century to the Second World War. The essays re-interpret the work of imperial heroes, eminent historians, and fictional heroines. They illustrate the variety of techniques used by British empire-builders and the variety of explanations they gave to account for their sometimes infamous behaviour.
The essays' authors are not only widely published scholar-critics of mystery/detective fiction but also dedicated fans of the genre. Familiar with the full scope of mystery fiction, they bring insight and enthusiasm to their writing.